If you type the size, you can specify it in. You can change the size of text by entering the point size you want in the Size field of the Character or Control panel, or choose a point size from the attached pop-up menu (see Figure 4-6). While most programs just pick one (and you never know which you’re getting), InDesign displays both fonts.
Some folks have more than one font with the same name on their systems-such as a TrueType and a PostScript version of Times Roman. To avoid this problem, hold down Shift as you apply the font.ĭuplicate Font Names. This can happen because InDesign is attempting to map the character from one font to another. Sometimes, when you change to a symbol font (such as Zapf Dingbats), you may encounter font substitution (the dreaded pink highlight). If a font doesn’t have a bold or italic version, InDesign will not change the text. Although InDesign won’t generate a bold or italic weight, you can type Command-Shift-B/Ctrl-Shift-B to make your text bold and Command-Shift-I/Ctrl-Shift-I to make it italic. When you choose a font, you must select both the font family and a specific type style (see Figure 4-3).įont Style Keyboard Shortcuts. InDesign’s user interface for selecting fonts mirrors this approach.
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In this book, we used the font family Minion Pro, and the type style Regular, so the font of the body text is “Minion Pro Regular.”
A font family is a set of typefaces designed to have a common “look.” A “font,” then, is specified by its font family and type style. To InDesign, fonts are categorized as font “families,” and each family is made up of one or more type styles. Selecting a font in InDesign is different than selecting a font in most other page layout programs. If the panel is already open, but is displaying the paragraph controls, press Command-Option-7/Ctrl-Alt-7. To display the Control panel, press Command-Option-6/CtrlAlt-6. If the panel is already visible, InDesign hides it you may need to press it twice. To display the Character panel and shift the focus to the panel’s Font field, press Command-T/Ctrl-T. The controls in the panels are substantially the same, so we’ll discuss them once.įIGURE 4-2. InDesign’s character formatting controls are found in both the Character panel and the Control panel (see Figure 4-2). In addition to these distinctions, InDesign’s paragraph styles can include character formatting, but apply to entire paragraphs. Leading, for example, is really a property that applies to an entire line of text (InDesign uses only the largest leading value in a line), but we’ll call it “character” formatting, nonetheless, because you can apply it to individual characters. There are areas of overlap in these definitions. Tab settings, indents, paragraph rules, space above, and space after are examples of paragraph formatting. We refer to all formatting that can be applied to a selected range of text as “character” formatting, and refer to formatting that InDesign applies at the paragraph level as “paragraph” formatting. (Longtime QuarkXPress users won’t think of leading as a character format, but we’ll cover that next.) Font, type size, color, and leading are all aspects of character formatting. Character formatting controls the appearance of the individual letters in your publication.
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